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This is sheer brilliance, and I must've watched this tape at least twenty times by now.
Jose Mojica Marins has pocal cranking out oocal sadistic South of the Border horror pics since the '60s, proving himself a cross between Alejandro Jodorowsky and H. This self-reflexive, drugged-out masterwork proves that drugs "stimulate perversity and promote corruption" yeah! Add bizarre sojourns with Marins defending his beliefs dross movies; then end rushwrs with an L. Marins expertly meshes fiction locak reality, then whips it into a garish freak-out featuring some of the silliest trip sequences of all time! One of the most unrelentingly grim films ever made about the "joys" of love. Nicolas Roeg's psycho-sexual tale uses a fragmented narrative structure to show slust the dysfunctional to put it mildly relationship locall womanizing louse Art Garfunkel and slutty, self-destructive Teresa Russell.
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And Fred "The Hammer" Williamson was born to play this macho role, strutting his stuff like he could hit out-of-the-part homers with his dick. CAESAR is a Harlem variation on the Warner Brothers gangster pics from the '30s, overflowing with cliched melodrama and sledgehammer social commentary. But Cohen pushes all the right buttons and kicks ass during a dizzying climax, as Williamson runs from torpedoes thru midtown Manhattan with a hole blown in his stomach! Often copied, but never equalled, this pair set the tone for a years of shitty, 42nd street triple bills to come. There are plenty of bad movies. But every so often there comes a movie that's cosmically horrible.
How else can you describe an inept, no-budget, anti-drug, pro-Christian monster movie that revels in gore and features a cast spawned from a century's worth of in-breeding? Director Steve Hawkes stars as a biker who smokes a laced joint, samples some experimental poultry, and promptly develops a taste for human blood and a ridiculous paper mache bird head. After savagely murdering the cast, he's finally saved by some "Faith in God" bullshit and a religious dish subtly named Angel. This film bites, but it's such a mind-roasting mix of genres that I'll never forget it. Mexploitation at its seedy best -- so weird and ridiculous you'll choke on your warm beer. It kicks off in high gear when a 17th century necromancer is burnt at the stake and vows to kill all the descendents of his badly-dubbed inquisitors.
Sure enough, the guy returns to Earth via a comet, for Christ's sake years later in the form of a rubbery, claw-handed monster with an inch-tongue that can suck the brains outta his victim through a pair of holes bored in the back of their neck. Oh yeah, he also has chameleon-like powers, which enables him to crash society events and make it with exotic babes. Believe it or not, even nuttier than it sounds.