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    The viewer unconsciously reads near continuous arrangement of different elements and subjects at varying distances, such elements can be of dramatic firxt in the composition of the image. These could be literal lines such as telephone and power cables or rigging on boats, lines can derive also from the borders of areas of differing color or contrast, or sequences of discrete elements. Movement is also a source of line, and blur can also create a reaction, subject lines contribute to both mood and linear perspective, giving the viewer the illusion of depth.

    CATSCLEM - KUNST

    Oblique lines convey a sense of movement and angular lines generally convey a sense of dynamism, lines can also direct attention towards the main subject of picture, or contribute to organization by dividing it into compartments. The artist may exaggerate or create lines perhaps as part of their message to the viewer, many lines without a clear subject point suggest chaos in the image and may conflict with the mood the artist is trying to evoke. Straight left lines create different moods and add affection to visual arts, a lines angle and its relationship to the size of the frame influence the mood of the image. Horizontal lines, commonly found in landscape photography, can give the impression of calm, tranquility, an image filled with strong vertical lines tends to have the impression of height and grandeur.

    Tightly angled convergent lines give a dynamic, lively, and active effect to the image, strongly angled, almost diagonal lines produce tension in the image. The viewpoint of visual art is important because every different perspective views different angled lines. This change of perspective elicits a different response to the image, by changing the perspective only by some degrees or some centimetres lines in images can change tremendously and a totally different feeling can be transported 4. Kleur — Color or colour is the characteristic of human visual perception described through color categories, with names such as red, yellow, purple, or blue.

    This perception of color derives from the stimulation of cells in the human eye by electromagnetic radiation in the spectrum of light. Color categories and physical specifications of color are associated with objects through the wavelength of the light that is reflected from them and this reflection is governed by the objects physical properties such as light absorption, emission spectra, etc. By defining a color space, colors can be identified numerically by coordinates, there may also be more than three color dimensions in other color spaces, such as in the CMYK color model, wherein one of the dimensions relates to a colours colorfulness.

    The photo-receptivity of Stilleven met bloemen hans bollongier 1639 first woman eyes of species also varies considerably from our own. Honeybees and bumblebees for instance have trichromatic color vision sensitive to ultraviolet but is insensitive to red, papilio butterflies possess six types of photoreceptors and may have pentachromatic vision. The most complex color vision system in the kingdom has been found in Why is it important to know about carbon dating with up to 12 spectral receptor types thought to work as multiple dichromatic units.

    The science of color is sometimes called chromatics, colorimetry, or simply color science and it includes the perception of color by the human eye and brain, the origin of color in Stilleven met bloemen hans bollongier 1639 first woman, color theory in art, and the physics of electromagnetic radiation in the visible range. Electromagnetic radiation is characterized by its wavelength and its intensity, when the wavelength is within the visible spectrum, it is known as visible light. Most light sources emit light at different wavelengths, a sources spectrum is a distribution giving its intensity at each wavelength. Although the spectrum of light arriving at the eye from a given direction determines the color sensation in that direction, in each such class the members are called metamers of the color in question.

    The table at right shows approximate frequencies and wavelengths for various pure spectral colors, the wavelengths listed are as measured in air or vacuum. A common list identifies six main bands, red, orange, yellow, green, blue, Newtons conception included a seventh color, indigo, between blue and violet. It is possible that what Newton referred to as blue is nearer to what today is known as cyan, the color of an object depends on both the physics of the object in its environment and the characteristics of the perceiving eye and brain. Some objects not only light, but also transmit light or emit light themselves.

    This effect is known as color constancy, opaque objects that do not reflect specularly have their color determined by which wavelengths of light they scatter strongly. If objects scatter all wavelengths with roughly equal strength, they appear white, if they absorb all wavelengths, they appear black. Opaque objects that reflect light of different wavelengths with different efficiencies look like mirrors tinted with colors determined by those differences 5. Karel van Mander — Karel van Mander or Carel van Mander I was a Flemish painter, poet, art historian and art theoretician, who established himself in the Dutch Republic in the latter part of his life.

    He is mainly remembered as a biographer of Early Netherlandish painters, as an artist and art theoretician he played a significant role in the spread and development of Northern Mannerism in the Dutch Republic. It is not certain who wrote this sketch and various candidates have been proposed. Most recently it has argued that it was written by his son Karel van Mander the Younger. His son would have relied on information that Karel van Mander had written himself as well as on his own recollections. The information in the sketch is not entirely reliable but is still regarded as the best source of information on van Manders life.

    Van Mander was born into a family in Meulebeke, in the County of Flanders. He studied under Lucas de Heere in Ghent, and in under Pieter Vlerick in Kortrijk, the next five years he devoted to the writing of religious plays for which he also painted the scenery. Then followed three years in Rome and his biographical sketch refers to van Mander as the discoverer of caves in Rome. This may be a reference to the Catacombs of Rome although the meaning of the reference is unclear. In Rome he may also have come into contact with fellow Fleming Bartholomeus Spranger and his patrons in Rome included several cardinals.

    On his return journey he passed through Vienna, where, together with Spranger, van Mander settled in Meulebeke in where he was active as a painter and writer. He married an year-old local girl, with whom he had a son, in he left for Kortrijk due to religious troubles caused by Catholic zealots in Meulebeke. Karel van Mander had at some point become a Mennonite and was therefore a target of these zealots. In Kortrijk he got a commission for an altar piece, in Kortrijk another son was born. He left Kortrijk for Bruges in because of an outbreak of the plague, in Bruges, he worked with the painter Paul Weyts.

    Here he worked for 20 years on a commission by the Haarlem city fathers to inventory their art collection, the city of Haarlem had confiscated all Catholic religious art after the satisfactie van Haarlem, which gave Catholics equal rights to Protestants, had been overturned in Van Mander used his work on the commission in his Schilder-boeck, while in Haarlem he continued to paint, concentrating his energy on his favourite genre, historical allegories 6. Pompeii, along with Herculaneum and many villas in the area, was mostly destroyed and buried under 4 to 6 m of volcanic ash.

    Dutch, Flemish, French and modern painting by Sam Segal. Erasmus, Amsterdampp. De roos in de kunst. Calendar with texts to 12 plates of flower paintings, ed. Still Life Studies Arnhem The Haguepp. Revised 2nd edition De Tulp Verbeeld — De Hollandse tulpenhandel in de 17de eeuw, idem. Summary edition, 6 pp. Carstian Luyckx, in idem, no. Cornelis van Spaendonck, Gerard van Spaendonck. Rachel Ruysch, in idem. Sebastian Stoskopff, in idem. Roding, De Tulp en de kunst, Zwollepp. Rachel Ruysch, in idem, no. Pieter Adriaensz van de Venne, in idem, no. Osias Beert, in idem, no.

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